A big eastern syndicate

The tubleweed has been blowing around this blog for a few months now, and I expect that I've lost the attention of most of my potential readers, but I can't let the Christmas season pass without making a post. It's tradition!

Right now you're probably wondering: do we have to talk about being a non-believer at Christmas again?

Sort of. Part of the tradition is to reflect somehow on my faith journey in the context of Christmas. But most of the Christmas-as-an-atheist topics are tiresome. The Christmas culture wars exist only to stoke the ire and to stroke the egos of those fighting either side. That Christmas traditions are almost exclusively derived from pagan sources is irrelevant except to set a precedent for my own repurposing of Yuletide celebrations. If we're going to talk about Christmas, we need something a little less trite.

I want to dig a little deeper and probe what people mean when they talk about the "real meaning" of Christmas. Usually when people -- religious people, at least -- talk about the real meaning of Christmas, they mean its religious message, particularly in opposition to its commercial component. Indeed, this is the central thesis of the "A Charlie Brown Christmas".

   

With all due respect to Charles Schultz, I reject this as a false dichotomy. Lord knows I'm not into the commercial Christmas. In my adulthood gifts have mostly ceased to make sense, and I hardly know what to tell people to get me for Christmas, let alone what to get for others. But in ignoring the commercial aspect of Christmas, am I forced either to embrace its religious content or discard the holiday altogether?

No. Emphatically no. In addition to the religious and commercial components of the season, there's a third meaning that's as widespread as anything else. This is the humanistic message: peace on earth, goodwill towards men; charity, kindness, and redemption; and the meaning found in human relationships.

I can hear the objection from a mile away: the humanistic message is merely a component of the religious message. But that's not usually how the story goes. Usually the humanistic part of Christmas is expressed without mention of any religious message.

And I have evidence. Evidence in the form of Christmas specials. (Of which "Charlie Brown" is the notable exception.)

Our first stop is the original Christmas special, Charles Dickens' "A Christmas Carol". You probably already know that, in England at least, Christmas observance fell into serious decline around the time of Cromwell, and that Dickens wrote "A Christmas Carol" during a Victorian-era Christmas revival. Dickens' view of Christmas, in addition to being distinctly anti-commericalist/anti-capitalist, is entirely secular. Indeed, it's a rejection of the Cromwellian hyper-piety that pushed Christmas out of the way in the first place. There's a reference or two to God, and of course the Christmas ghosts are supernatural entities. But there's no reference to Christ or the Nativity, no call to remember the religious underpinnings of the season. The Christmas spirit in Dickens' story, as embodied in the redeemed Ebenezer Scrooge, is the innate goodness of humanity, the triumph of people over things, the power of love over loneliness.

   

Next up is "It's a Wonderful Life". Yes, we do see angels, although their cosmological nature lends itself as well to Scientology as it does to anything in Christendom, and George Bailey does pray to God near the end of the film. But even in post-war America Frank Capra sees no need for religious sermonizing. Much like as with Dickens, the moral is about human relationships: meaning is found in the people we touch rather than the possessions we amass. George Bailey, the richest man in Bedford Falls? There's a double meaning in that.

 

Our last stop is Dr. Seuss's "How the Grinch Stole Christmas". My wife found this wonderful article today. Its paragraph on the final scene of "Grinch" says it better than I would have:

"It’s a lovely moment, and I don’t want to dissect it too much, because its beauty lies in its simplicity. It’s the simplicity that gets me, and it’s what sets The Grinch just that much closer to my heart than any other story of the season. There’s no speech about Jesus, and Santa doesn’t show up to save the day. If you look closely at that glowing mass that rises above the Whos as they sing, you’ll see there isn’t anything inside. Which could mean a whole lot of things, or could mean nothing at all, but what it means to me is that Christmas isn’t anything special in and of itself, not even for the Whos. Christmas is something you have to make happen, not through 'packages, boxes, or bags,' but through the act of warmth and love and kindness."

   

While I'm posting stuff, it seems fitting to include a song I recently discovered by Australian singer/comedian Tim Minchin. The religious among you might be offended by a mild, albeit rather good-hearted critique of some aspects of your worldview. However, despite his being on the wrong hemisphere for this sort of thing, his Christmastime sentiments resonate with me. (Incidentally, if you want to see me tear up, tie me down and make me watch the bridge starting at 3:51. By the time he gets to "these are the people who make you feel safe in this world", there's a better-than-even chance of waterworks!)

   

Maybe, as the Grinch realized, Christmas doesn't come in a store. Maybe it doesn't even have to come in a church or in any other institution. It comes in homes, among people and across generations, gathering in the cold solitude of winter for warmth and love and togetherness. It has a meaning that transcends culture and epoch, that reaches back through history into shared ancestry. A meaning that's bigger than assent to or denial of any theological statement. A meaning so universal it can only be described as human.